nefertiti:

Ivanovo detstvo/Ivan’s Childhood (1962, Andrei Tarkovsky)

The complexly choreographed sequence involving Masha’s encounter with Kholin in the birch forest is one of the most iconic shots in cinema, symbolizing the need for help in hard times, a moment of connection above the void, a desperate act of human contact. The camera tracks their movements at a distance before joining them, finally, in a strange, low-angle embrace over a small trench. The shot begins from a low point of view, and then, when Masha tries to jump over the ditch and is intercepted by Kholin, who holds her in the air and kisses her, the camera goes down below ground level and records the scene from within the ditch, to soon thereafter rise sharply up and continue rolling at eye level with the characters.  (1, 2)

(Reblogged from nodirectflights)

Notes

  1. malakhov reblogged this from indivisiblematter
  2. iamtheadventurer reblogged this from lostsplendor
  3. femaletroubles reblogged this from limousine-lashes
  4. ganduleando reblogged this from rusoblanco
  5. pol22 reblogged this from directingfilm
  6. wilson-the-pooh reblogged this from commanderspock
  7. harmonicamansam reblogged this from nefertiti
  8. funny-maemi reblogged this from nefertiti
  9. annabelleigh reblogged this from nefertiti
  10. theuseoftheuseless reblogged this from monochrom23reich
  11. dyingtosayit reblogged this from bosquesnegros
  12. thehousefinch reblogged this from fairytalesandfrills
  13. noiruku reblogged this from monochrom23reich
  14. cirkinsanatlaratolyesi reblogged this from monochrom23reich
  15. nrtdnrtl reblogged this from monochrom23reich
  16. rusoblanco reblogged this from monochrom23reich
  17. leichenschrei reblogged this from monochrom23reich
  18. datendandy reblogged this from monochrom23reich
  19. monochrom23reich reblogged this from metalshell